709" as the export color space, and when I change this to "Rec. The other big clue is that if I export either a) or b) to AME for rendering as HEVC (h.265), AME's encoding settings default to "Rec. However, AE actually displays the same thing for the footage in either case (less contrast and less rich colors), which makes me wonder whether I'm missing some other setting I need to change. Logically, I believe it should if I either a) turn off color management by specifing "None" as the project working space and "Preserve RGB" as the footage's profile, or b) specify both of these as "Rec.2100 HLG W203" (which matches what MediaInfo reports Apple uses for its HDR color space). The first clue is that AE never displays the original HDR footage the same as TV does. So instead of dragging you through all those details yet, I'll start with a couple key observations, since I might be running into a known "you can't get there from here yet" issue. I've tried everything I can think of in both AE and AME that should affect color conversion, and I haven't been able to achieve this goal. ensure that both the original imported AE footage and the rendered HDR result from AME look the same as what Apple apps (e.g. Even without this HDR support, HDR footage (as viewed in Apple apps) has noticeably more contrast and richer color than non-HDR footage, so I'm trying to figure out if I can use it with AE and AME to at least get "pass through" color behavior - i.e. I've been exploring the nice HDR footage from my new iPhone 13 Pro, on my iMac that unfortunately is one generation prior to having native HDR support (Retina 5K, 27-inch, 2019 - HDR was added to the 2020 iMac models).
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